My Journey So Far…
This page is mainly about me discovering myself. If you’re curious and want to know more about me, keep reading! I won’t take much of your time. I promised.
I am an aspiring music producer and engineer on a mission to bridge the gap between amateur talent and professional sound. My goal is to establish an accessible studio environment that empowers beginner musicians and engineers to create without the traditional high-cost barriers. With a solid foundation in mastering, I am now sharpening my mixing skills alongside the world-class mentors at Mastering.com to ensure every project I touch meets industry standards. Let’s make high-end audio accessible.
Now, enough with all these polished professional biography thingy. I wrote it with a bit of help from Gemini. I’m sure you can distinguish it once you keep on reading. But don’t sweep it under the rug. It’s all true and I really mean it.
So, here’s my journey so far on making my dream a reality.
I’ve uploaded my first song on SoundCloud in 2015. It was a remake of No Good in Goodbyes by The Script. The song was nowhere near as polished as I wanted it to be, but I remember the process of making it was fun. I don’t even the word “music production” back then. I was doing it purely due to my curiosity and love for music. It served as a humble reminder that I’ve come a long way and I’ve never give up on music despite receiving little support to pursue it as a career.
I would continue to make instrumental track and cover song for the next few years. It was just me taking on these fun projects.
On 13 July 2023, I’ve decided to enroll in Andrew Huang’s music production and songwriting class from Studio.com. Andrew Huang has been an inspiration to me and my top favourite video from him was the “First of October” series. While there’s nothing wrong and bad on the class content, I find myself never really click with the class for some reason.
Fast forward to 25 March 2025, I enrolled in “The Reverse Engineering” program (short for TRE) from Mastering.com. They offer monthly free event to sort of promote their programs and courses and “Fix The Mix” challenge was what sold to me take on the TRE program. I never really know what I have passion for my whole life and seeing the event was an instant click - “Oh, I want to do this” moment.
On 30 June 2025, I officially left my second job as an environmental engineer in Singapore. Reading Simon Squibb’s “What’s Your Dream” has been eye opening for me and make me brave enough to quit my job and pursue my dream, living life with no regrets. This is a bit cheesy but it’s what fuels me to live a purposeful life without the constant pointless slavery to lifeless corporate job.
So during the next few months (July to November), just like a child discovering a new toy, I was really eager to take on this new chapter of my life. I’ve submitted my own spin for the stems provided for numerous challenges:
Andrew Huang’s Landscape Noon Sample Flip Challenge (Lost But Hopeful)
Andrew Huang’s Messenger Sample Flip Challenge
In The Mix’s Discord #10 Community Challenge (Crash)
KSHMR’s Wide Ride Remix Challenge
Lofi Girl x Native Instrument Study Beat Challenge (Perplexed)
Madonna’s Ray of Light Global Remix Challenge
At that time, it was a very good start but I lacked direction. I was firing random shots without a target in mind. The fact that I only have one track on major streaming platform enhanced my previous statement. I choose “Lost But Hopeful” to be distributed as this was the most polished song I had at that time to show case to the public. Not long after, the thought of myself being an artist doesn’t really click for me.
On 30 August 2025, I started posting mastering practice video almost daily on major social media platforms. It’s a popular format where I titled my video as “Day X Mastering Practice Until I Turned Pro”. The idea came up as I was thinking if I have to practice mastering everyday, I might make a video and put it out there for people to judge my work. Most of the unmastered stereo track came from Cambridge Music Technology and a handful of them are from my program curriculum and even few of it were from pixabay.com.
On 6 October 2025, I landed my first client who agreed to credit me for the master. A stranger which I approached in Discord was kind enough to trust me with his music. I’ve never felt so fulfilled and happy in my entire life.
Soon after that, I realised my dependence on my MacBook Air was greater day by day until it no longer can stands my workflow. I need a more powerful machine so that I can continue with my work. Therefore, I invested in a MacBook Pro on 22 October 2025. Not a wallet friendly decision but still a wise decision made.
On December 2025, I had the opportunity to collaborate with a fellow student at TRE community challenge to show case our collaborative effort on Holiday music. It was rather rushed and I think we did our best to make it sound as good.
I took a small break during the holiday season as posting almost daily on social media has taken too much of my time. This is all on me as I still took too long to master a track.
On 2 January 2026, I continued to post my daily mastering practice video. At this points, I felt like it’s becoming rather boring and repetitive. I don’t really treat it like a practice session anymore. It’s just an excuse to keep my online presence alive. And this leads me to a switch up of content. It’s perfect at that time as Joji’s was releasing singles to sort of leading up to his new album “Piss in the Wind'“. I took the opportunity to analyse two of his tracks “Past Won’t Leave My Bed” and “ Love You Less” to the best of my ability,
On February 2026, there’s a great addition of music composition call in TRE calendar host by Luke Despain. It introduced me to the sync world which makes so much sense to me as I’ve always struggling to compose and arrange my own music. Luke show case his work based on one of the sync brief in his class slides which I thought it was so good that I keep listening on repeat.
Working with sync briefs is so much more intuitive and helpful for me to get my ideas out. On the second of April 2026, I’ve put out my first orchestral piece which is based on a sync brief. If you’re interested, you can read the brief in the description of the track. Here’s how it goes.
For almost a year, SoundGym has been my go to choice for ear training. On 10 April 2026, I’ve made it into Diamond Ears in SoundGym which is a huge milestone for me.
On the other note, I’m also working on free audio engineering resources, some sort of like a cheat sheet for easy reference. I want to make it as simple as possible yet it’s still packed with information. The idea stems from me being put off by these long winded passages and tutorial videos which I have a hard time going through them.
Updated last on 18 April 2026.